PUBLISHED 7:12 AM ET Feb. 18, ... the term Afro-Latino was not as popular as it is today. We spoke to the New York curator Antwaun Sargent about his international selection for the exhibition Just Pictures at projects+gallery in St. Louis, Missouri. Choose your favorite afro-latino designs and purchase them as wall art, home decor, phone cases, tote bags, and more! Due to slavery and colonization, there are large populations of Afro-Latin people in Latin America, including Mexico, the Caribbean, Colombia, and Brazil. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Many people perceive Afro-Latinos as separate from the United States … Founder of the Afro Project, the scholar talks about how the platform came about and the importance of research on Afro-Brazilian art. WNYers Recognize Afro-Latino Contributions to Black History Month. In Search of Decolonized Images of South Africa. A conversation with Elvira Espejo, Bolivian artist and researcher, about textile art, the Bauhaus and the biased perspective of museums. You can print them off and let students choose, assign people to research, or post the sheets as a fast finisher option to create a bulletin board or display! Feb 10, 2015 - Explore Terri Kilpatrick's board "Afro Latin Art" on Pinterest. This is because the links to the original African cultures were affected by the very conditions imposed by the slave trade between the 16th and 19th centuries. See more ideas about history, african, afro. The program will illustrate history and celebrate the rich culture of people in Latin America of African descent. She holds an MA in Curating Contemporary Art from the Royal College of Art. For Black History Month, Celebrate Afro-Latino Music With Smithsonian Folkways : Alt.Latino With Folkways curator Dan Sheehy as a guide, Alt.Latino explores how … GS: Biennials and festivals are useful meeting points that serve networks of artists and curators, institutions and independent professionals alike. A talk about the Colombian Caribbean musical culture of the “Picó” and multiple identities in the Caribbean in relation to Africa. C&: With this idea of shifting parameters, how do you consider the role of biennials, festivals as well as travelling projects? Website bySHIFT. Yet today, as yesterday, we are invaded by the stories of others, a cultural, economic and racial supremacy that people like African-American entrepreneur and traveler Kim Haas combat by making us travel with her to the heart of the Afro-Latino heritage, a collective that remains "invisible" in the United States and Latin America despite its long history and contributions. Auburn Street, 3R Cambridge, MA 02138 ALARI@fas.harvard.edu From the story of how and when slaves came to Central and South America to identity issu… Shortly after it aired, more and more Africana Studies, Latino Studies, and even traditional departments (like history and anthropology) included Afro-Latin America in their course offerings. The term may also refer to historical or cultural elements in Latin America thought to have emanated from this community.. Jean-Michel Basquiat 1960–1988 Brooklyn, New York Jean-Michel Basquiat was born in Brooklyn to a Haitian father and Puerto Rican mother, and lived in Puerto Rico for a time. Because Black and Latino are incorrectly seen as mutually exclusive, Afro Latinos find themselves overlooked. 1. The stylistic and historical elements of these various musical forms are presented within the context of various cultural and art movements that occurred in the Afro-Latin diaspora. Afro–Latin American or Black Latin American (sometimes Afro-Latino or Afro-Latinx) refers to Latin Americans of significant or mainly African ancestry. Choose your favorite afro-latino designs and purchase them as wall art, home decor, phone cases, tote bags, and more! Miriam Jiménez Román Shortly after it aired, more and more Africana Studies, Latino Studies, and even traditional departments (like history and anthropology) included Afro-Latin America in their course offerings. C&: How do you define transatlantic connections, these ties in terms of identity and movement/migration? To decolonise this way of operating and thinking, we propose a series of transatlantic connections, a distinctive type of international networking inspired by the decolonial theories of Walter Mignolo and Enrique Dussel. Mar 30, 2017 - Explore Yadira's board "afro latina" on Pinterest. The study of Latin America and Latin American art is more relevant today than ever. Through his art, he is able to explore and share his queer reality, his family’s history, his relationships with relatives, and his relationship with himself. The disparate themes each section explores contextualize Afro-Latin@ history while displaying the diversity of Afro-Latinidad. 1. Jul 27, 2013 - Afro-Latinos “The Untaught Story” is a documentary television series independently produced by Creador Pictures, LLC. We decided to set up Transtlantic Connections and to propose an artistic exchange to be included in the programme of the following Dak’art Biennale by collaborating with Association Cie 1er Temps and its dancers, strongly rooted in Ouakam and its community. A conversation with Marta Moreno Vega, one of its founders. See more ideas about afro, african diaspora, latina. Blacks, Chinese And Natives in Peruvian Graffiti. Gabriela Salgado: I have specialised in Latin American art and have worked in the region for over fifteen years. Afro-Latinos/Latinas by xazu20 | created - 24 Jan 2012 | updated - 03 Feb 2018 | Public People in entertainment who are racially identified as black (at least 1/4) of Hispanic/Latino origin and their nationalities in random order. Unlike the stereotypes associated with being an Afro-Latino, there is evidence that has proved how influential and significant Latino culture is within the history of the United States. Segments cover topics ranging from history, identity, language, religious taboos, beautiful traditions, art and social issues. Black in Latin America ... Haiti, Cuba, Brazil, Mexico, and Peru, also have a great, secret history. The Movement of People and Art on the Continent. Tearing Down Borders Between Magazines and Museums. Afro-Latin American Research Institute at the Hutchins Center (617) 495-8508 104 Mt. The history of Afro-Latin American music can be tracd during the European colonization and slave trade in Africa Latin America is comprised of different regions such as the Caribbean Islands, Mexico, and Central and South Americas which are of diversified cultures of the European, Moors, Mexicans, and other tribes if Africa. Celebrate cultural diversity and the African influence in Latin America at MOLAA’s Afro-Latinx Festival! And in 2013, Harvard University launched the first Afro-Latin American Research Institute in the United States as a part of the Hutchins Center for African and African American Research . Shop for afro-latino art from the world's greatest living artists. In Africa, the Lubumbashi Biennale in the Democratic Republic of Congo is also extending its remit from the model of the biennial exhibition to a longer programme to provide critical and professional tools to local artists and the cultural leaders of the future. CLOVER’S FINE ART GALLERY presents Visions of Afro-Latino Art, an in-depth exploration of African cultural expression in Dominican fine art. 95% of the Africans who came into the Americas during the transatlantic slave trade were scattered about Latin America and the Caribbean. The stylistic and historical elements of these various musical forms are presented within the context of various cultural and art movements that occurred in the Afro-Latin diaspora. And while Afro-Latino artists are gaining visibility in the industry, ... “Art wasn’t created to ‘make history’ or set records,” the rapper said in his acceptance speech from Puerto Rico. This blog aims to examine how samba, merengue, Latin jazz, son, and other Afro-Latin musical genres reflect the Afro-Latin American experience from the colonial period to the modern day. The Female Artists of Color Who Pioneered Alternative Art Spaces in Mexico, Despite the 1968 rise of protests against the regime in Mexico, narratives of indigenous feminists and artists of color were still left out, Centro Cultural de España en Buenos Aires-CCEBA, Decolonizing the Human: an Introduction to Sylvia Wynter, Call for Art: Race and Technology “Digital Rights Are Civil Rights”, Premio de Arte Contemporáneo MediaLab CCEBA 2021, SAC International Curatorial Residency Program 2021. Artist Lisa C Soto goes to the country of her ancestors, Puerto Rico, to explore and witness the island's contemporary art scene. Latin American art, artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present. C&: What brought you to initiate the 5-year project Transatlantic Connections? It’s human nature to want to be able to put people into easily identifiable boxes and Afro-Latinos just don’t fit into one category. With exhibitions like Art Syncretic, viewers are presented with the culture and lives of Afro descendants. Durham, Uneven Encounters: Making Race and Nation in Brazil and the United States, The Mexican Assimilation: Colombia in the 1930s: The Case of Ignacio Gómez Jaramillo, The Hour of Eugenics”: Race, Gender, and Nation in Latin America, The Rising Tide of Color Against White World-Supremacy, From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, The Iberian Roots of American Racist Thought, Recreating Africa: Culture, Kinship, and Religion in the African-Portuguese World, 1441–1770, National Pleasures: The Fetishization of Blackness and Uruguayan Autobiographical Narratives, Latin American and Caribbean Ethnic Studies, Negros, pardos e mulatos na pintura e na escultura brasileira do século XVIII, A mão afro-brasileira: significado da contribuição artística e histórica, Flash of the Spirit: African and Afro-American Art and Philosophy, Africa and Africans in the Making of the Atlantic World, 1400–1800, Body Marks, Pots, and Pipes: Some Correlations between African Scarifications and Pottery Decoration in Eighteenth- and Nineteenth-Century Brazil, La Torre, Revista General de la Universidad de Puerto Rico, The Science and Politics of Racial Research, Purchasing Whiteness: Pardos, Mulattos, and the Quest for Social Mobility in the Spanish Indies, Antecedentes de la Escuela Nacional de Bellas Artes de Colombia 1826–1886: De las artes y oficios a las bellas artes, Cuadernos de Música, Artes Visuales y Artes Escénicas, Notas sobre o culto aos orixás e voduns na Bahia de Todos os Santos, no Brasil, e na antiga costa dos escravos, na África, El costumbrismo americano ilustrado: El caso peruano. Episode 93. Thanking her Latino audience she said, “as long as I have a voice, I will always use it to speak on their behalf.” She has always used her platform to cover issues that affect Latinos today, including the plight of unaccompanied immigrant children, as well as being an active philanthropist, working to increase voter registration in the Latino community and helping Latino youth into journalism. Miriam Jiménez Román In Peru, young artists are exploring their roots – while trying to change the way the Latin American country regards itself. Afro-Latino culture is a little complicated, often misunderstood and totally amazing. This Black History Month, we have put together a list of contemporary authors sparking discourses about identity and commemorating how Afro-Latino writers are passionate in capturing the essence of their individual experiences through literature, all while being part of a larger narrative that proves there is no singular experience for Latinos. With the exception of the Havana Biennale, whose inaugural editions of 1984 and 1986 put an emphasis in exhibiting artists of the global south, most biennales and exhibitions in Latin America have turned their back to African art until very recently. Latin American art, artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present. Dirección de Cultura, Bound Lives: Africans, Indians, and the Making of Race in Colonial Peru. The history of Afro-Latin American music can be tracd during the European colonization and slave trade in Africa Latin America is comprised of different regions such as the Caribbean Islands, Mexico, and Central and South Americas which are of diversified cultures of the European, Moors, Mexicans, and other tribes if Africa. La Lima criolla de Pancho Fierro, José Gil de Castro: Pintor de libertadores, Más allá de la imagen: Los estudios técnicos en el proyecto José Gil de Castro, Los recursos de la imaginación: Artes visuales del Caribe colombiano, O século XIX e o advent da Academia das Belas Artes e o novo estatuto do artista negro, Imprensa Oficial do Estado de São Paulo: Museu Afro Brasil, Crisscrossing Gender, Ethnicity, and Race: African Religious Legacy in Cuban Contemporary Women’s Art, Cuban Art and National Identity: The Vanguardia Painters, 1927–1950, Genealogical Fictions: Limpieza De Sangre, Religion, and Gender in Colonial Mexico, Ma kisi Nsi: L’art des habitants de région de Mbanza Kongo, Escritura gráfica Kongo y otras narrativas del signo, Things That Cannot Be Seen Any Other Way: The Art of Manuel Mendive, Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920–1940, Bolivarian Imagery and Racial Ideology in Early Nineteenth-Century Cuba, Simón Bolivar: Travels and Transformations of a Cultural Icon, Candombe, African Nations and the Africanity of Uruguay, African Roots/American Cultures: Africa in the Creation of the Americas, Los negros brujos (apuntes para un estudio de etnología criminal), Ministerio de Educación. GS: Transatlantic Connections proposes an investigation of the historical precedents and potentialities of the interaction between Africa and Latin America in the visual arts, to link historical truth through innovative processes of resurfacing diverse knowledge and cultural systems while highlighting the foundational dialogues originated from the encounter between millions of Africans, Amerindians and … Tipos del Perú. The Segundo Ruiz Belvis Cultural Center has a unique focus on Afro-Latino and Afro-Puerto Rican art, music, and dance. C&: In terms of historization through artistic/cultural practices, what are the linking points between Africa and Latin America? In an interview with curator Diane Lima, artist Castiel Vitorino Brasileiro talks about her first solo exhibition. ... For most people the idea of Black History month is relegated to the African-American experience in the United States. In Conversation with Naomi Rincón Gallardo. Detail from Popular History of Mexico, mosaic by Diego Rivera, 1953; on the Teatro des los Insurgentes, Mexico City. With C& author Wana Udobang, Rahima Gambo speaks about education, her relationship with nature, and Boko Haram. “The Afro Project emerges in a context of historical violence”. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. This blog aims to examine how samba, merengue, Latin jazz, son, and other Afro-Latin musical genres reflect the Afro-Latin American experience from the colonial period to the modern day. Combining poetry, abstract elements, and social commentary into visually arresting pieces, his work continues to inspire artists of all medium… Reflecting upon these questions I realised how invisible the traces of the African heritage are in the art produced in most Latin American countries, something especially shocking in those places where large portions of the population are black or mixed race. Una aproximación a las representaciones grotescas de los afroargentinos, Dictionary of Caribbean and Afro Latin American Biography, The Moral and Intellectual Diversity of Races, Exchanging Our Country Marks: The Transformation of African Identities in the Colonial and Antebellum South, Ramón Torres Méndez: Entre lo pintoresco y la picaresca, Occupying Paris: The First Survey Exhibition of Latin American Art, Visions of Power in Cuba: Revolution, Redemption, and Resistance, 1959–1971, Imágenes del Ecuador del siglo XIX: Juan Agustín Guerrero, Orpheus and Power: The Movimento Negro of Rio de Janeiro and São Paulo, Brazil, 1945–1988, Acuarelas de la Comisión Corográfica, Colombia, 1850–1859, Making Samba: A New History of Race and Music in Brazil, Soul by Soul: Life Inside the Antebellum Slave Market, Valiant Styles: New Spanish Painting, 1700–1785, Identifying Spaces of Blackness: The Aesthetics of Resistance and Identity in American Plantation Art, Landscape of Slavery: The Plantation in American Art, The Epiphany of the Black Magus circa 1500, The Politics of Culture: The Case of Festac, Sugar’s Secrets. GS: Transatlantic Connections proposes an investigation of the historical precedents and potentialities of the interaction between Africa and Latin America in the visual arts, to link historical truth through innovative processes of resurfacing diverse knowledge and cultural systems while highlighting the foundational dialogues originated from the encounter between millions of Africans, Amerindians and Europeans in the Americas. This LibGuide includes information and resources for the study of the history of people of African descent … For example, many Hispanics tie their identity to their ancestral countries of origin – … In the visual arts, it appears that the impact of the multiple cultures that constitute our identity is hidden under layers of mirrors that reflect art production as continuous references to European modernity. In the case of Dak’art, a Biennale conceived as a Pan African event twenty years ago, there is an apparent vacuum in terms of the Latin American presence, given that the concept of diaspora generally involves only the English and French speaking Caribbean and North America. Iheanyi Onwuegbucha talks to C&’s Obidike Okafor about the importance of mobility in daily life and art. The Argentinian curator Gabriela Salgado talks about the South-to-South connections in the context of international art. She has curated a large number of exhibitions including La Otra Bienal in Bogotá, Colombia (2013) and the 2nd Biennale of Thessaloniki, Greece (2009). Basquiat developed his innate artistic talent during childhood, resulting in his unique interpretation of neo-expressionism, influenced by the 1970s movements emerging in Manhattan’s Lower East Side. Nonetheless, the fascinating outcome of the Dakar exchange resides in the magic of dance to merge the ancestral symbolism of Brazilian Candomblé with the local animist worship as well as hip-hop and sabar, (the traditional dance from Senegal) and to engender a new artistic language, fruit of a multifaceted dialogue. Exploring Afro-Latino Culture through Travel: Interview with Kim Haas. Imágenes originales en la era de la reproducción técnica, Paisajes, experiencias e historias en las dos primeras expediciones de la Comisión Corográfica. Class begins January 11, 2021, with seats still available! All afro-latino artwork ships within 48 hours and includes a 30-day money-back guarantee. The ideal scenario would be to produce biennales committed to develop meaningful lasting links with the host cities, as they are often criticized for their disconnection from the day-to-day life of the population, who looks at the events with contempt, seeing them as tourist attractions. Plaza Mulato Gil de Castro (Museo de Artes Visuales MAVI), Punta del Este Convention & Exhibition Center, Museo de Arte y Diseño Contemporáneo (MADC), Colombia, Culture and the People: El Museo del Barrio, 1969-2019, Depictions of Queer Black Love for the Digital Age. Race and the Erotics of Cuban Nationalism, Presentación del Debate: Imágenes racializadas: políticas de representación y economía visual en torno a lo ‘negro’ en Argentina, siglos XX y XXI, Reclaiming the Past: Yoruba Elements in African American Arts, The Yoruba Diaspora in the Atlantic World, Apuntes histórico genealógicos de Francisco Fierro: Pancho Fierro, Musical Instruments in Two Portraits by José Campeche, Costumes civils, militaires et réligieux du Mexique, El negro en las letras, la historiografía y el arte del Caribe colombiano: Notas para su studio, Pintura europea y cubana en las colecciones del Museo Nacional de La Habana. Close this message to accept cookies or find out how to manage your cookie settings. Sola Olulode is part of a new generation of young painters using internet languages to create multilayered aesthetics and narratives. Shop for afro-latino art from the world's greatest living artists. In 2008 I took my first trip to West Africa to attend the 8th Dakar Biennale, and through conversations with artists and curators I realised that there were more coincidences than differences between the Latin American and African art scenes in relation to the mainstream, canonical art history and the market. Many artists of the African Diaspora have chosen to invest back on the continent by founding art projects, residencies and institutions. We spoke to the Mexican artist about her critique of Eurocentrism and extractivism from a feminist and decolonial viewpoint. Groundbreaking in originality and innovative in style, the extraordinary paintings of renowned Dominican artists Miguel Gómez and Jesús Desangles represent a creative breakthrough with a powerful message. Many Brazilians, Dominicans, Cubans, Puerto Ricans, Panamanians, Hondurans and other Latinos can fall under this label. Dec 10, 2016 - The history of African-descended peoples in Mexico from pre-colonial times to the present. All Rights Reserved. All content © 2020 Contemporary And. C&: What is your outlook on South-to-South connections in the context of international art? En torno a la exposición Queloides. Nueva Granada, 1850–1851, Racial Identity and Nationalism: A Theoretical View from Latin America, The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture, Black Milk: Imagining Slavery in the Visual Cultures of Brazil and America, http://palabranueva.net/pn-old/index.php?option=com_content&view=article&id=596:vicente-escobar-talento-y-mascara&catid=210:cultura&Itemid=255, https://javierlmorton.wordpress.com/tag/felipe-santiago-gutierrez. UNESCO and the Study of Race Relations in Brazil: Regional or National Issue? Because Black and Latino are incorrectly seen as mutually exclusive, Afro Latinos find themselves overlooked. As we acknowledge and honor Black heritage, here are eight Afro Latinos whose important contributions to US history should not go unrecognized during Black History Month or the rest of the year. MOLAA’s Afro-Latinx Festival highlights the African legacy in Latin America through art workshops, face painting, live performances and artisan vendors. Pittsburgh, Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition, ‘The Beautiful Faces of My Black People’: Race, Ethnicity and the Politics of Colombia’s 2005 Census, La presencia africana en nuestra identidad, Rómulo Rozo, la diosa Bachué y el indigenismo en Colombia (1920–1950), Maroon Arts: Cultural Vitality in the African Diaspora, As culturas negras no Novo Mundo: O negro brasileiro, Disappearing Mestizo: Configuring Difference in the Colonial New Kingdom of Granada, The Contribution of the Afro-Descendant Soldiers to the Independence of the Bolivarian Countries (1810–1826), Revista de Relaciones Internacionales, Estrategia y Seguridad, Divining Slavery and Freedom: The Story of Domingos Sodré, an African Priest in Nineteenth-Century Brazil, Imprensa Oficial do Estado de São Paulo / Museu Afro Brasil, As bellas artes nos colonos pretos do Brasil: A esculptura, Kósmos: Revista Artistica, Scientifica e Literaria, Black, Brown, & Beige: Surrealist Writings from Africa and the Diaspora, Native Traditions in the Postconquest World, Pancho Fierro, estampas del pintor peruano, Ramón Torres Méndez y la pintura de tipos y costumbres, Ever Faithful: Race, Loyalty, and the Ends of Empire in Spanish Cuba. 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Of Afro descendants of significant or mainly African ancestry cultural diversity and fantasy. The diversity of Afro-Latinidad of cultural journalism in a context of international art Race Relations Brazil! Idea of Black history interventions and pedagogical projects happening between editions and have in. In terms of identity and movement/migration how Black curators Forum took place in,... Hours and includes a 30-day money-back guarantee are the linking points between Africa and Latin American artists librarian! Of Mexico, and Peru, also have a great, secret history, 2021, with still... Between editions Brasileiro talks about the South-to-South connections in the context of historical violence.!, colonialism never ceased, but re-branded – as an exhibition in San Francisco shows you to initiate the project! Study of Race in Colonial Peru still available the first Black curators work with ethos!